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Presents the online version of "Graphic Arts Monthly," a magazine for the printing industry, published by Cahners Publishing Co. Includes industry news, product reviews, and special features from the print edition. Contains classified advertisements, subscription information, and an events calendar. Links to advertisers, industry stock information, and editorial archives. Posts contact information for the magazine's New York City headquarters via street address, telephone and fax numbers, and e-mail.
Printing --- Printing. --- Printing, Practical --- Typography --- Graphic arts
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Printing --- Printing. --- Printing, Practical --- Typography --- Graphic arts
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Drukkunst --- Imprimerie --- Printing --- Typographie --- Typography --- Make-up (Printing) --- Mise en pages --- Makeup (Printing) --- Printing [Practical ] --- Layout
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Indissociable du XXe siècle, la typographie en est comme son miroir : en analysant l'évolution spectaculaire du dessin de caractère dans le domaine du graphisme et dans notre environnement depuis ces cent dernières années, Typo du XXe siècle se place d'emblée sous le signe de cette intimité réciproque. Si l'influence des progrès techniques sur la typographie nous est familière, celle des mouvements artistiques n'avait jamais fait l'objet d'une étude aussi précise. Pourtant, les grands courants qui ont marqué l'histoire de la typographie sont ceux qui répondirent de façon créative à ces deux paramètres. Les artistes du Bauhaus inventèrent une esthétique de la mécanisation par leurs mises en pages modernistes, le style international suisse donna naissance à l'Helvetica, tandis que Stanley Morison dessina le Times New Roman pour répondre aux exigences techniques de la presse et que des graphistes contemporains, comme Neville Brody, créèrent des dessins numérisés. En dressant un panorama de la typographie du XXe siècle par décennie, en présentant ses protagonistes, Lewis Blackwell réunit l'ensemble des données historiques, techniques et artistiques sous une forme accessible à tous, des graphistes initiés au grand public qui s'intéresse à l'histoire des arts de la communication. Dans les années 90, la technologie informatique a révolutionné le design graphique et typographique. Cette édition, substantiellement revue et augmentée, de l'étude de Lewis Blackwell analyse la nouvelle liberté induite par cette révolution, du développement d'Internet aux transformations des conditions de travail des designers et des usagers, au seuil du nouveau millénaire.
Drukkunst --- Imprimerie --- Printing --- Typographie --- Typography --- History --- Histoire --- Caractère --- 20th century --- Printing [Practical ] --- Layout
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Printing --- History --- American Printing History Association --- Printing, Practical --- Typography --- APHA (American Printing History Association) --- Graphic arts
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Semiotics --- Writing --- Printing --- Ecriture --- Imprimerie --- Typographie --- Lettrisme --- Penmanship --- -Printing, Practical --- Typography --- Graphic arts --- Chirography --- Handwriting --- Language arts --- Study and teaching --- Penmanship. --- -Penmanship --- Printing, Practical --- CDL --- 766.021 --- Printing - France --- Histoire
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Printing. --- Economics. --- Printing, Practical --- Typography --- Graphic arts --- Economic theory --- Political economy --- Social sciences --- Economic man --- Économie politique. --- economics.
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In the mid-1910s, what historians call the "Golden Age of Chinese Capitalism" began, accompanied by a technological transformation that included the drastic expansion of China's "Gutenberg revolution." Gutenberg in Shanghai examines this process. It finds the origins of that revolution in the country's printing industries of the late imperial period and analyzes their subsequent development in the Republican era. This book, which relies on documents previously unavailable to both Western and Chinese researchers, demonstrates how Western technology and evolving traditional values resulted in the birth of a unique form of print capitalism whose influence on Chinese culture was far-reaching and irreversible. Its conclusion contests scholarly arguments that view China's technological development as slowed by culture, or that interpret Chinese modernity as mere cultural continuity. A vital reevaluation of Chinese modernity, Gutenberg in Shanghai will be enthusiastically received by scholars of Chinese history and by specialists in cultural studies, political science, sociology, the history of the book, and the anthropology of science and technology.
Printing --- Publishers and publishing --- Imprimerie --- Editeurs et édition --- History --- History. --- Histoire --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- Publishing
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printing --- publishing --- media --- graphic --- image processing --- colour reproduction --- Printing --- Printing machinery and supplies --- Research --- Research. --- Paper converting machinery --- Printing, Practical --- Typography --- Graphic arts
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